Houlgate (ed) - The Hegel Reader [made in istanbul]

http://www.mediafire.com/file/nrnmcwmqncj/THE_HEGEL_READER.pdf

http://books.google.com/books?id=JIeOfwA4Qb0C&printsec=frontcover&hl=tr#v=onepage&q=&f=false

Hyppolite - Studies on Marx and Hegel [made in istanbul]

hyppolite reloaded!

from eon on this book is non-extant, disenclosure unworks, categorical imperative renders word common.

This collection of essays is a welcome addition to the literature on the early Marx and the relationship to Hegel. They were first published in book form in French in 1955. Half the essays are on Hegel and half are on Marx, and it is the second series that will be of greatest interest to sociologists. Of these, two are of major importance: one is a commentary on Marx's 1843 Critique of Hegel's Philosophy of Right, a document that importance of which for Marx's development is only just being discovered. The second claims that Capital is unintelligible apart form the philosophical presuppositions that underly it, presuppositions to be found in Marx's early writings and even further back in Hegel. This is particularly interesting at a time when the publication in English of substantial excerpts of the Grundrisse, interest is reviving in Marx's later writings. The most interesting of the essays on Hegel deals with Lukacs' book on The Young Hegel and spells out in detail the notions of alienation and objectification, notions that were identical for Hegel but not for Marx. Two criticisms must be made: firstly, it is very difficult to tell when and where any of the essays were published for the first time; secondly, the introduction to this sort of a book should either deal with the background to Hyppolite's essays, so that the reader can approach them with the knowledge of context, or a critical assessment of them - or even both. Here, however, the 'Introduction' is a little - and wholly admirable - essay comparing the views of Hegel and Marx on history with no reference to what is supposed to be introducing.

http://www.mediafire.com/file/iwyzd5qclmm/STUDIES_ON_MARX_AND_HEGEL__JEAN_HYPPOLITE.pdf


p.s.
stoekl has a nice article 'Round Dusk: Kojève at "The End" have a look, http://muse.jhu.edu/login?uri=/journals/postmodern_culture/v005/5.1stoekl.html

Negativity and politics: Dionysus and dialectics from Kant to poststructuralism [made in istanbul]

by Diana H. Coole

Although frequently invoked by philosophers and political theorists, the theory of negativity has received remarkably little sustained attention.Negativity and Politicsis the first full-length study of this crucial topic within philosophy and political theory. Diana Coole explores the meaning of negativity in modern and postmodern thinking, and examines its significance for politics and our understanding of what constitutes the political. Beginning with an insightful reading of Kant'sCritique of Pure Reasonand a consideration of the work of Hegel, Coole goes on to discuss the importance of negativity in the thought of a number of key theorists including Nietzsche, Adorno, Kristeva, Freud, Foucault, Habermas, Deleuze, Derrida and Butler. Throughout, Coole clearly and skillfully shows how the problem of negativity lies at the heart of philosophical and political debate.

http://www.mediafire.com/file/0im1mm2jwty/NEGATIVITY_AND_POLITICS__DIANA_C.pdf

see google books

Dallmayr - Hegel: Modernity and Politics [made in istanbul]

Who is the leading philosopher of modernity? With this innovative volume, Dallmayr offers his learned opinion by exploring Hegel's thought as it pertains to the meaning of modernity and postmodernity: the celebration of individual freedom and the importance of a network of social relationships, public justice, and civic virtue. This lucid examination illustrates how Hegel responds to the urgent contemporary issues for which we look to the past for assistance. Because Fred R. Dallmayr's text clearly explicates Hegel's work in the context of current theoretical and philosophical debates about modernity, Hegel is recognized as a great figure in the history of political thought. This important text combines rigorous scholarship with a style that is accessible to both intermediate and advanced undergraduates, and graduates and professionals in political theory and the humanities. "Taking a sensible, chronological approach to Hegel's writings, G.W.F. Hegel is a well-written and thoughtful exposition of Hegel's political philosophy that should be accessible to advanced undergraduates and graduate students." --Choice "Hegel for our times. . . . Fred R. Dallmayr shows dramatically how Hegel enriched even those traditions that were critical of him. A lucid, well-argued exposition of the richness of Hegel's political philosophy. Hegel emerges from this study as a most-sophisticated and almost prescient critical philosopher of modernity. Surprisingly relevant for the attempts to achieve a viable civil society in post-communist countries. Inspiring and fresh, the book brings out the historically immense impact of Hegel's thought in all its variety." --Shlomo Avineri, The Hebrew University, Israel "Fred Dallmayr has written a splendid book on Hegel, focusing primarily on Hegel's political philosophy. Dallmayr's treatment is lucid, informed, judicious, and lively. Hegel comes 'alive' because Dallmayr shows how Hegel is relevant to some of the deepest tensions and problems that we confront today in our political life. Dallmayr is especially insightful in showing how Hegel deals with the tensions between the demands for individual freedom and the need to nurture communal social and political bonds. He explores the ways in which Hegelian themes have been developed and attacked by Hegel's heirs and critics. Dallmayr presents a strong case for showing that Hegel is the philosopher of modernity and how he still 'speaks to us.'" --Richard Bernstein, New School for Social Research "Fred Dallmayr has written a profound and wide-ranging book on Hegel. It draws on a substantial range of sources and throws a great deal of light on difficult ideas. It will be indispensable to scholars and students alike." --Raymond Plant, University of Southampton

http://www.mediafire.com/file/z2ztgzymmne/MODERNITY_AND_POLITICS__HEGEL.pdf

see google books

Hyppolite - Logic and Existence [made in istanbul]

Hyppolite, more than any other lector, taught how to make Hegel a contemporary, diligently worked out, these essays mark (and remark then earmark) the movement of negativity that blew up in/at/for/with 68

http://www.mediafire.com/file/heryxiohnqe/LOGIC_AND_EXISTENCE__HYPPOLITE.pdf

Kojeve - Introduction to the Reading of Hegel [made in istanbul]

"The (human) I is the I of a Desire or of Desire."

http://www.mediafire.com/?tqtnrx0imum

p.s. why there is still no complete translation of this wonder?

Charles Taylor - Hegel [made in istanbul]

go

Avineri - Hegels Theory of Modern State [made in istanbul]

I think this is still one of the best book written on state(s) of Hegel (qua Marx)
LINK

Adorno - Three Studies on Hegel [made in istanbul]

masterpiece

link

Hyppolite - Genesis and Structure of Hegels Phenomenology of Spirit [made in istanbul]

link

Beiser - Hegel

Hegel
(The Routledge Philosophers)
by Frederick Beiser

# Paperback: 353 pages
# Publisher: Routledge; 1 edition (June 13, 2005)

Hegel (1770-1831) is one of the towering philosophers of the nineteenth century. Many of the major philosophical movements of the twentieth century--from existentialism to analytic philosophy -- also grew out of reactions against Hegel. He is also one of the hardest philosophers to understand and his complex ideas, though rewarding, are often misunderstood.

In this magisterial and lucid introduction, Frederick Beiser covers every major aspect of Hegel's thought. He places Hegel in the historical context in nineteenth century Germany while clarifying the deep insights and originality of Hegel's philosophy.

About the Author
Frederick Beiser is Professor of Philosophy at Syracuse University. He has also taught at many universities, including Harvard, Yale, Indiana and Wisconsin. He is the author of The Fate of Reason, German Idealism and is editor of The Cambridge Companion to Hegel.

aloha

The Ghost of Theology - Readings of Kant and Hegel

The Ghost of Theology - Readings of Kant and Hegel

here is a special issue of Diacritics

Diacritics, Vol. 11, No. 2, The Ghost of Theology: Readings of Kant and Hegel. (Summer, 1981):


wonder!

Hegel, Kant and the Structure of the Object

Hegel Kant & Structure Object CL (Hardcover)
by Robert Stern

# Hardcover: 184 pages
# Publisher: Routledge; 1 edition (April 26, 1990)

go

Heidegger - Hegel's Phenomenology of Spirit

Hegel's Phenomenology of Spirit
(Studies in Phenomenology and Existential Philosophy)
by Martin Heidegger

# Paperback: 176 pages
# Publisher: Indiana University Press (August 1994)

This book contains the text of Heidegger's 1930-31 university lectures on the opening chapters of Hegel's first major work. Published in Germany only in 1980, these lectures represent Heidegger's most sustained treatment of Hegel. However, they are important as much for an understanding of Heidegger, since many of the central ideas of Being and Time appear here as well. The translators have done a marvelous job of rendering Heidegger's often convoluted prose eminently readable. There is a glossary of important and/or difficult German terms; the German editor's informative epilogue is included. Essential for academic philosophy collections.

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Hegel, Literature, and the Problem of Agency

Hegel, Literature, and the Problem of Agency
(Modern European Philosophy)
by Allen Speight

# Paperback: 166 pages
# Publisher: Cambridge University Press; 1 edition (February 5, 2001)

Allen Speight argues that behind Hegel's extraordinary appeal to literature in the Phenomenology of Spirit lies a philosophical project concerned with understanding human agency in the modern world. It shows that Hegel looked to three literary genres--tragedy, comedy, and the romantic novel--as offering privileged access to three moments of human agency: retrospectivity, theatricality, and forgiveness. Taking full account of the authors that Hegel himself refers to (Sophocles, Diderot, Schlegel, Jacobi), Allen Speight has written a book with a broad appeal to both philosophers and literary theorists.

go
Ohh Blanchot where are you?

Hegel and Aristotle

Hegel and Aristotle
(Modern European Philosophy)
by Alfredo Ferrarin

# Paperback: 464 pages
# Publisher: Cambridge University Press; 1 edition (July 23, 2007)

"...certainly the most complete and informative study of Hegel's interpretation of Aristotle and of the Aristotelian elements that can be found in Hegel's thought." Adriaan Peperzak, Loyola University Chicago

"He demonstrates an impressive and enviable mastery of the secondary literature on Hegel and Aristotle in Italian, German, French, and English. Hegel and Aristotle promises to become a classic work of reference." J.M. Fritzman, Philosophical Inquiry

Book Description
Hegel is, arguably, the most difficult of all philosophers. Interpreters have usually approached him as though he were developing Kantian and Fichtean themes. This book is the first to demonstrate in a systematic way that it makes much more sense to view Hegel's idealism in relation to the metaphysical and epistemological tradition stemming from Aristotle. No serious student of Hegel can afford to ignore this major new interpretation. It will also be of interest in such fields as political science and the history of ideas.

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Agamben - The Man Without Content

The Man Without Content
(Meridian: Crossing Aesthetics)
by Giorgio Agamben
# Paperback: 144 pages
# Publisher: Stanford University Press; 1 edition (June 1, 1999)

From the Inside Flap
In this book, one of Italy’s most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel’s claim that art has exhausted its spiritual vocation, that it is no longer through art that Spirit principally comes to knowledge of itself. He argues, however, that Hegel by no means proclaimed the “death of art” (as many still imagine) but proclaimed rather the indefinite continuation of art in what Hegel called a “self-annulling” mode.
With astonishing breadth and originality, the author probes the meaning, aesthetics, and historical consequences of that self-annulment. In essence, he argues that the birth of modern aesthetics is the result of a series of schisms—between artist and spectator, genius and taste, and form and matter, for example—that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony.
Through this concept of self-annulment, the author offers an imaginative reinterpretation of the history of aesthetic theory from Kant to Heidegger, and he opens up original perspectives on such phenomena as the rise of the modern museum, the link between art and terror, the natural affinity between “good taste” and its perversion, and kitsch as the inevitable destiny of art in the modern era. The final chapter offers a dazzling interpretation of Dürer’s Melancholia in the terms that the book has articulated as its own.
The Man Without Content will naturally interest those who already prize Agamben’s work, but it will also make his name relevant to a whole new audience—those involved with art, art history, the history of aesthetics, and popular culture.

link

Art, Origins, Otherness: Between Philosophy and Art

Art, Origins, Otherness: Between Philosophy and Art by William Desmond
* Publisher: State University of New York Press
* Pub. Date: August 2003
* ISBN-13: 9780791457450
* 336pp

Though our time is often said to be post-religious and post-metaphysical, many continue to seek some encounter with otherness and transcendence in art. This book deals diversely with the issues of art, origins, and otherness, both in themselves and in philosophical engagements with the works of Plato, Kant, Hegel, Schopenhauer, Nietzsche, and Heidegger. Addressing themes such as eros and mania, genius and sublime, transcendence and the saving power of art, William Desmond tries to make sense of the paradox that too much has been asked of art that now almost nothing is asked of it. He argues that there is more to be said philosophically of art, and claims that art has the power to open up mindfulness beyond objectifying knowledge, as well as beyond thinking that claims to be entirely self-determining.

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