Showing posts with label hillbilly. Show all posts
Showing posts with label hillbilly. Show all posts

Saturday, February 5, 2011

The Lonesome Drifter ~ Eager Boy [Norton, 2010]



ED-327

A1. Eager Boy
A2. Tear Drop Valley
A3. Honey Do You Think of Me
A4. No Lovin' No Rockin' Blues
A5. Ain't Got Nothin' But the Blues
A6. I Want You Back
A7. Eager Boy [Alternate Take]
A8. I'll be Lonesome When You're Gone

B1. Teardrop Valley [Alternate Take]
B2. I'll Take a Chance
B3. This Old World Don't Seem the Same
B4. I'm Gonna Quit My Crying
B5. Blues from a Broken Heart
B6. I Wished It Wasn't So
B7. Your New Love
B8. Tear Drop Valley [Alternate Take]
B9. Eager Boy [Alternate Take]



'The Lonesome Drifter was born, on December 6, 1931 on a cotton farm in north Louisiana. As a youth, He worked as a water boy for the cotton pickers on a plantation and recalls hearing his first blues music while watching an old black man playing a slack string guitar out side of an old country General Store. Other musical influences included Jimmie Rodgers, Bill Monroe & Bluegrass Music was the foundation of his style.

His Recording of 'Eager Boy' and 'Tear Drop Valley' on Mira Smith's K record label is one of the most sought after records among rockabilly collectors in the late 1950's. The Drifter an established hillbilly performer, got word of a new recording company, Ram Records, that has just opened for business in Shreveport , seventy miles from his home in Monroe, Louisiana. The Drifter recalls on the first release from Ram: I had been to Mira Smith's studio to record and she asked me what name I wanted on the record, I did not want to use my real name. As I was driving back to Monroe, I thought about one of my idols, Hank Williams, and he had made records as 'Luke The Drifter'. I was a rambling man in those days so when I got to Minden, Louisiana it came to me. I got out of my car and phoned Mira, CEO of the record company & said, 'call me 'The Lonesome Drifter'.

'Eager Boy' and 'Tear Drop Valley' were released on K Records in 1958, a subsidiary of Ram, named after Mira's sister. On 'Eager Boy' & 'The Drifter' a friend Tom Bonnet of West Monroe La, who had accompanied him to the studio, played the lead guitar. The success of the flip, 'Tear Drop Valley', featuring West Monroe musician George Mercer on lead guitar, secured for The Lonesome Drifter wish to appear on The Louisiana Hayride.

Today The Lonesome Drifter lives quietly in West Monroe, LA where he is the owner and founder of Wellsprings Records®, The President of Old Riverwood Music & Publisher, founder & operator of Acrew Records, TN & owner of Studio Apache. Oh well, so much for living quietly.'

'Wonderful work from Lonesome Drifter – an enigmatic figure on the late 50s Louisiana scene, working here in a very hip blend of early rockabilly and country swing! The cuts are nice and raw & mostly feature acoustic guitar in the forefront, alongside Drifter's vocals – which have a plaintive, echoey quality that's very much in the Hank Williams school – although take it from us, Lonesome is no Hank copycat either! There's some nicely stripped-down production on all these cuts – giving them a timeless feel that really holds up – and the overall approach is quite different than more familiar late 50s work of this type, kind of the echoes of the underbelly of the scene first started in Memphis – but spread out to some really local inflections.' ~ dusty

perch merch

despite the 4 alternate takes that i can live without, these are the most evocative songs i heard owl day. what a vibrant sound this cat conjures; short, sweet & poignant. some of the more obscure tracks have these echo-drenched vocals that really elevate the high lonesome weirdness factor. highest imaginable recommendation fer a saturday afternoon. 256 variable bits later

Saturday, August 28, 2010

Hank Williams as Luke the Drifter ~ Beyond the Sunset





01. Pictures From Life's Other Side
02. Men With Broken Hearts
03. Help Me Understand
04. Too Many Parties And Too Many Pals
05. Please Make Up Your Mind
06. I've Been Down That Road Before
07. Be Careful Of Stones That You Throw
08. I Dreamed About Mama Last Night
09. The Funeral
10. Beyond The Sunset
11. Just Waitin'
12. Everything's Okay
13. No, No Joe
14. Ramblin' Man
15. Battle of Armageddon <----bonus

Recorded between 1950 & 1952



'In 1950, Williams began recording as Luke the Drifter, an appellation given to Williams for use in identifying his religion-themed recordings, many of which are recitations rather than his usual crooning. Fearful that disque jockeys and jukebox operators would become hesitant to accept these non-traditional Williams recordings, thereby hurting the marketability of Williams's name, the name Luke the Drifter was employed to cloak the identity of the artist. Beyond the Sunset collects all the recordings Hank Williams made as his artistic [& on some level psychological] alter ego Luke the Drifter on one disque. The subject matter is either unrelentingly bleak & despairing [Men With Broken Hearts] or else cautionary tales [I've Been Down That Road Before] presenting the sort of hard-won advice that Williams could dish out but not really take. Highlights include the now hopelessly politically incorrect but nonetheless heartfelt 'The Funeral' & 'Too Many Parties', a depressing one-act morality play co-written, oddly enough, by the same up-beat Tin Pan Alley denizen responsible for 'I''m Looking Over a Four Leaf Clover.'

'Hank Sr. preaches like no one I've ever heard before. This album features lessons that everyone needs to learn, especially children. Treating your fellow man with kindness, love and loss, what goes around comes around, be happy with what you have, etc, etc... But the way Hank tells these stories and sings these songs is masterful. I love this album and I listen to it whenever I'm feeling like life is unfair. It makes me smile every time, and it makes me appreciate the things I have. In short, if you like real country music, I HIGHLY recommend this one.' ~ some converts

i have owlwaze loved hank's voice, so hearing him sing/preach holier than thou, homespun, backwoods parables is lots of fun. i read somewheres that he really dug the sound of his own voice as well & it's easy to understand why. it has a tremulous quality that's very evocative. in addition to the included bonuses, i threw in another original gospel tune he penned about the end of the world. seemed fitting. a 320 rip