Ola Grihamar ~ Hardingfele Frå Vang 1957-71 [Ta:lik, 2003]

TA6CD

01. nigarden springar
02. bonde etter johan henrik
03. legdakallen bonde
04. springar etter hansegarden
05. kvamen halling aqnfin o. kavame
06. skjervin bonde
07. ha takk da namme for du var kar bonde
08. lydarlatt etter olav moe
09. jentudn sma som pa bryggja sta springar
10. bonde etter krosshaugen
11. hulebakklatten lydarlatt
12. st thomasklolkelatten lydarlatt
13. springar etter ivar ringestad
14. springar etter knut ringestad
15. springar etter andris bunde
16. springar etter andris bunde
17. springar etter ola soyne
18. springar etter ola soyne
19. krosshaugens siste latt lyderlatt

'Ola Grihamar Sr [1910-1978] was the leading hardanger fiddleplayer in Vang community in Valdres. The playing style in Vang is different from the rest of Valdres, quick & with a sharp edge, & the tune variations are to some extent similar to those in the inland regions of Sogn. This record documents an interesting & diverse branch of the Valdres tradition.'

got a hardan fer hardanger. how they do it? superlative sympathetique string dronage in a norwegian wood somewheres. 320 uppenbarelser. further

Odd Bakkerud ~ Hardingfele 1959-71 [Ta:lik] Norway

'Odd Bakkerud [1931-1989] was only 24 years old when he became Norwegian national champion in Hardanger fiddle. He continued to impress; during the 50's and 60's he participated in over 100 competitions, and won most of them. The recordings on this double disque set were made between 1959 and 1971, when the fiddler was at his best.

A few tunes are taken from private tapes and some were made at competitions, but the majority were recorded by the Norwegian radio. The material is chiefly springar and halling tunes from Hallingdal. Bakkerud also mastered melodies from Telemark, Numedal and Valdres, which we get to hear on half of the second CD.

The opening cut, "Godversdagen," is a great introduction to Bakkerud's playing. He usually tuned his Hardanger fiddles a third above an ordinary fiddle, which produced a light and silvery tone. An unparalleled technique marks all the tunes. The trills and ornaments are clear and well-integrated. Listen to the beautiful "Toingen," a hallingspringar whose unusually melodious character is enhanced by Bakkerud's crystalline, powerful tone.

Bakkerud's clear and rehearsed playing suits certain tunes better than others. The older generation of Hallingdal fiddlers, among them Kristian Øvrevollseie and Olav Sataslåtten, were more spontaneous and varied in terms of melody and rhythm. Their music also incorporated microtones as a natural part of the scale. To have a chance at winning fiddle-competitions, Bakkerud refined the rough dance-music from Hallingdal into more accessible music suited for the concert hall. His perfectionism made the music somewhat colorless, but one must bear in mind that these recordings were primarily made in studios and far from the dance-floors. This naturally influenced the playing. When one listens to the four live cuts, full of nerve and energy, one doesn't wonder why the fiddler from Hallingdal is counted as one of the greatest Hardanger fiddlers. "Fanitullen" and "Kjempespringar etter Jørn Hilme" are simply breathtaking.'

41 traque dubble disque set of hardcore hardanger fiddle virtuoso odd bakkerud. oddly enough it don't get boring. think you can handle it?