Showing posts with label post-dubsteb. Show all posts
Showing posts with label post-dubsteb. Show all posts

Thursday, November 11, 2010

James Blake ~ The Bells Sketch 12" [Hessle Audio, 2010]



HES011

A1. The Bells Sketch 4:17
B1. Buzzard And Kestrel 5:44
B2. Give A Man A Rod 4:34

Mastered at Metropolis. Side A plays at 45 RPM.Side B plays at 33 ⅓ RPM

more goodness from this prolific yungstar. unexpectedly delicious blend of skittering beats & alien tongue transmissions. try sequencing these in a mix with some of the wooly world music from this site. makes for a really effective contrast. 320 rips!

Wednesday, October 27, 2010

James Blake - Klavierwerke [R & S, 2010]



a1. klavierwerke
a2. tell her safe

b1. i only know [what i know now]
b2. don't you think i do



HYPE:
'Capping a very special year for James Blake, R&S drop the highly anticipated 'Klavierwerke', his most refined and sombre transmission to date. While his previous 12"s were defined by their unstable and unique sense of soul, these tracks have a more esoteric, modern classical air to them, clearly reflected in the monotone artwork and centre labels. It's like chamber music for the post-dubstep crowd, utilising lofty meditations on the techniques and feelings gleaned from the style, distilling their essence from a removed and considered standpoint. The title piece feels torn between wanting to be there, in the dance, and longing to be somewhere else entirely, sequestered in dancefloor solipsism, shutting out surroundings until rhythms are worn down to the faintest flickers of filtered drums creating a richly woven blanket in which to hide oneself from the world. 'Tell Her safe' is a little more optimistic, focussed on Blake's innate rhythmic intricacies and soul-burning chords, while 'I Only Known [What I Known Now]' slips back into that rarified sense of autumnal English melancholy, dappled with watery piano keys and deploying moments of reflective silence to stunning effect. Redressing the balance 'Don't You Think I Do' offers a spurt of tormented internal funk, making a brief but lasting closing statement. Held up against everyone else out there right now, this record is just essential.' boomkat

okayeah so i too tink this kid is doin interesting tings. i swear track 2 reminds me of squarepusher covering robert ahshley's 'automatic writing', gone dubstep. we dig repetition. another youngster with tremendous potential. would love to hear him collaborate with space dimension controller for a supramutagenic strain. in with the new. 320 blips