01 Patafisiskal Polska 02 Cafe, Copa, Puro 03 Neo-Realismo Del'Habanera 04 Midnight To Six Hands 05 A Glass Of Gaz 06 Return Of Johnny Guitar 07 4 Rroses Pour Marie 08 Valse De L'Aiguille Creuse 09 La Plaza D'Orient As Locus Solus 10 Waiting For Mister Motch On Beyrouth 66 11 Ava, In A Palindromic Garden 12 Patafisiskal Re-Polska
the arrangements & instrumentation on this album are more fleshed out than the compartively sparse Haïkus, but retain his singular style of repetitive melancholique simplicity in the most sublime way. nuff said. 320 remerciements à l'uploader d'origine. s'il vous plaît soutenir l'artiste
01. Tango del Rosselló 02. Smoke on the Water 03. Egyptian Reggae 04. Let me try 05. Alifib 06. Rue des soeurs noires 07. Your labios as tulips 08. Put a straw under baby 09. C'era una volta il West 10. Love theme from Ben Hur 11. Mexican theme frome Rio Bravo 12. Nocturn, a Joan Salvat-Papasseit 13. Souvenir de Vernet-Les-Bains 14. The sad skinhead 15. Good-bye pork-pie hat 16. Greenlands 17. Abril 74 18. Valse de l'aiguille creuse 19. 4 Roses pour Marie 20. Marcha mora 21. Amarcord 22. I surrender 23. Besame mucho 24. 96 tears 25. Les humeurs
Pascal Paul Vincent Comelade [born June 30, 1955], is a French Catalan musician. Comelade born was in Montpellier, France. After living for several years in Barcelona, he made his first album, Fluence, influenced by electronic music and by the group Heldon. Subsequently, his music has become more acoustic and is characterised by the sounds of toy instruments, used as solo-instruments and as an integral part of the sound of his group, the Bel Canto Orquestra.
Each new album by Pascal Comelade is in itself a bit of an event. The man makes himself rare in France and is much more prolific in Catalonia, where he is considered to be an essential musician. In France, he is seldom mentioned in the media, and, in record shops, his music is often to be found in the film score section, with experimental music or even with world music. The last time he really got the attention of the critics was for his musical show Psicotic Music-Hall in 2002, a tribute to La Bodega Bohemia, a historical cabaret in Barcelona.
"I did a series of concerts in Tokyo in 1991 and played at the French-Japanese Institute. In the sixties, Yves Klein was there, giving French lessons in order to pay for his own judo lessons. My first record for DSA, 'Détail Monochrome' [1984] was - with its title and its cover [a monochrome blue one] - an involuntary tribute to Yves Klein. A second luck was that I found in Tokyo a toy piano from the same manufacturer of the piano which is in the CCAM Studio. With both pianos, I recorded 'Haïkus de pianos' as a special thank you to all the nice Japanese people I met in Tokyo." ~ pc
one of the most innovative french composers unfurls a sublimely short but super sweet set of unlikely covers & strong originals for grand & toy piano :) thoughtful sequencing & continuity demand repeated listening, with only about half the tunes featuring the prominent ticklin of toy ivories. 320 remerciements à l'uploader d'origine
