Sierra

una vena casi partida
una hirviente canción
un pueblito de noches
un cuerpo questá sin calor

esta madre quel destino impone
me desmadeja las penas los antes
los escondidos miedos la funesta fe

de naranja me vistel momento
y un abrazo sesconde del sol
yo no soy el mentor de la suerte
ni el heroico sudor del horror

es que apenas me toca el costado
esta bruta misita sin dioses
esta hereje y vital compasión

y recorro el pimpollo de sales
lo azucaro con la risita della
hasta que al fin puedo beberlo
hacerlo savia gritito canción
...

Willie Nelson

Willie Nelson - The Great Divide
Lost Highway P2-86231 (2002) - US CD

1 - Maria (Shut Up And Kiss Me)*
2 - Mendocino County Line* - with Lee Ann Womack
3 - Last Stand In Open Country* - with Kid Rock
4 - Won’t Catch Me Cryin’*
5 - Be There For You* - with Sheryl Crow
6 - The Great Divide*
7 - Just Dropped In (To See What Condition My Condition Was In)*
8 - This Face*
9 - Don’t Fade Away - with Brian McKnight
10 - Time After Time*
11 - Recollection Phoenix*
12 - You Remain* - with Bonnie Raitt

Note: Track 2 was also included as a bonus in the UK release of Lee Ann Womack’s album “Something Worth Leaving Behind”. See relative post here: bassroutes.blogspot.com/2011/02/lee-ann-womack.html.

The Band:
Willie Nelson - Vocals, Acoustic Guitars
Lee Sklar - Bass (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12)*
Kenny Aronoff - Drums (1, 2, 3, 4, 5, 6, 7, 8, 10, 11)
Heitor Pereira - Guitars, Background Vocals (as additional musician), Whistling (as additional musician)
Greg Leisz - Pedal Steel, Dobro
Matt Rollings - Piano, Hammond B-3, Wurlitzer, Rhodes
Mickey Raphael - Harmonica
Matt Serletic - Electronics, Background Vocals (as additional musician)

Additional Musicians:
Neil Stubenhaus - Bass
John “J.R.” Robinson - Drums (as John “JR” Robinson)

Reggie Young - Guitar
Dan Dugmore - Pedal Steel
Greg Phillinganes - Keyboards
Alison Krauss - Fiddle
Gabe Witcher - Fiddle
Bruce Fowler - Horns
Daniel Higgins - Horns
Glen Garrett - Horns
Brad Dutz - Percussion
Rob Thomas - Vocals
Lee Ann Womack - Vocals
Kid Rock - Vocals
Sheryl Crow - Vocals
Brian McKnight - Vocals
Bonnie Raitt - Vocals
Michael Black - Background Vocal
John W. Ryles - Background Vocals
Lisa Silver - Background Vocals
Harry Stinson - Background Vocal
Dennis Wilson - Background Vocals
The Water Sisters (Julia Tillman Waters, Maxine Willard Waters) - Background Vocals
Louis Nunley - Background Vocals
Curtis Young - Background Vocals

Produced by Matt Serletic

Matt Serletic - Orchestrations Writer (2, 3, 4, 5, 8), Orchestrations Arranger (2, 3, 4, 5, 8)
Christopher Damhurst - Programming (2, 5) (as additional musician)
Danny Saber - Programming (3) (as additional musician)
Pascael Arceneaux - Programming (9) (as additional musician)
Pete Anthony - Orchestra Conductor
Bruce Dukov - Orchestra Concert Master

David Thoener - Recording Engineer (1, 3, 4, 5, 6, 7, 8, 10, 11, 12), Mixing Engineer (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12)
Steve Marcantonio - Recording Engineer (2)
Noel Golden - Recording Engineer (9), Additional Engineering
Dennis Sands - Orchestra Recording Engineer (2, 3, 4, 5, 8)
Mark Dobson - Additional Engineering, Pro-Tools Editing
John Nelson - Assistant Engineer
Leslie Richter - Assistant Engineer
Todd Johnson - Assistant Engineer
David Bryant - Assistant Engineer
Sam Storey - Assistant Engineer
Toshiaki Kasai - Assistant Engineer (as Toshi Kasai)
John Rodd - Assistant Orchestra Recording Engineer (Recordist) (2, 3, 4, 5, 8)
Derek Carlson - Assistant Mix Engineer
Jay Goin - Assistant Mix Engineer
Bill Talbott - Stage Engineer

Recording Studios/Locations:
Conway Recording Studios, Hollywood, CA
Ocean Way Nashville, Nashville, TN
Rumbo Recorders, Canoga Park, CA
Record Plant Recording Studios, Hollywood, CA
Hook Studios, North Hollywood, CA
20th Century Fox Studios, Los Angeles, CA (orchestra)
Newman Scoring Stage (score)

Mixing Studio:
Record Plant Recording Studios, Hollywood, CA

Stephen Marcussen - Mastering Engineer
Stewart Whitmore - Digital Editing

Mastering Studio:
Marcussen Mastering, Hollywood, CA

Tom Steel - Stage Manager
Damon Tedesco - Stage Manager
Stacey Robinson - Director (Newman Scoring Stage)
Aaron Brougher - Production Assistant
Valerie Pack - Project Coordinator
Matthew Freeman - Project Coordinator
Debbi Datz-Pyle, The Music Team - Orchestra Contractor
Bill Edwards - Copyist
Steve Juliani - Copyist

Jeff Fenster - A&R Direction
Management: Mark Rothbaum & Associates
Legal Representation: Joel Katz, Jess Rosen - Geenberg Traurig
Business Management: Laurence Goldfein
William Morris Agency: Jim Wiatt & Dave Snyder

Rick Patrick - Art Direction
Scott Sandler - Design
Mark Seliger - Photography
Ann Balliro - Marketing

“Willie would like to thank - Jeff Fenster - Lyor Cohen - Jim Caparro - Luke Lewis - John Esposito - Matt Serletic - Michael Lippman - Bernie Taupin - Dean Serletic - Lewis Largent - John Rosenfelder - Ken Lane - Annie Balliro - Sheila Brosnahan - Julie Greenwald - Lauren Murphy - Karen Wiessen - Amy Bloebaum - Erica Novice - Ben Kline - Andy Nelson - Chris Stacey - Kira Florita - Michael Powers - John Ettinger - Glenn Noblit - Frank Callari - Todd Fennell - Gay Harrah - Sandy Hunter - Gordon Peters - Punch Andrews - Scooter Weintraub - Ron Stone - Erv Woolsey - Scott Kernahan - Herb Trawick - Damien Smith and All My Friends And Family”.

“As a special bonus for purchasing “The Great Divide” you have exclusive access to: // “The Making Of The Great Divide” - Behind the scenes/in-studio footage and interviews // Never before seen photos of Willie Nelson // Excerpt from Willie’s book “The Facts Of Life And Other Dirty Jokes” - available on Random House wherever books are sold // Link to ‘Old Whiskey River site to check out Willie’s signature blend of bourbon // Here’s how: // 1. Place “The Great Divide” CD in your computers CD-ROM drive. // 2. Log on to www.willievip.com and follow the instructions // 3. It’s that easy - enjoy! // Also visit these websites: // www.losthighwayrecords // and // www.willienelson.com”.

Songwriters:
Willie Nelson
Jim Cregan
Robert Andrew Hyman
Kevin Kadish
Jackie King
Cyndi Lauper
Robin Le Mesurier
Mickey Newbury
Donald Wallace Poythress
Leslie Satcher
Matt Serletic
Bernie Taupin
Rob Thomas
Dennis Tufano

●

source/pic: my records



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Friendly 1988 Italian League Poland

Milano,

Stadio Guiseppe Meazza

12 November 1988

Friendly game with Italian and Stars from the campionato against Poland, including Matthaus, Maradona, Careca, Caniggia... 

Codec H264, Mkv
Sound 160kps
2 liens, 500+400mo
Italian Comments
Size 900mo
Chaptered end & half time
Formatted 16/9
Pass : twb22.blogspot.com

1st Half time 

http://www.megaupload.com/?d=P3RT269G

2nd Half time

http://www.megaupload.com/?d=9AOJVV28

That's the Original Post and encoding . 
If you find it somewhere else, it's an shitty reupload 
or a repost.

Serie A 2010 2011 Juventus Udinese

Stadio Olimpico di Torino
30 january 2011
Referee: A. Giannoccaro
Attendance:17953 

Une des affiches de la 22ème journée de Serie A oppose une des équipes les plus en forme du championnat à l’une des moins en forme. En effet l’Udinese qui se déplacera à Turin pour affronter la Juventus est en très grande forme, en témoignent la victoire écrasante au Friuli contre le champion en titre l’Inter  et la moyenne récente élevée de buts marqués par l’équipe entraînée par Guidolin. Quant à elle, la Vieille Dame semble perdue en championnat depuis la trêve hivernale et l’élimination en coupe d’Italie n’a certainement pas arrangé les choses, au point qu’Andrea Agnelli s’est senti obligé d’organiser une conférence de presse après celle d’avant math de Del Neri pour rassurer les tifosi et leur rappeler d’où revenait l’équipe actuelle et les nombreux problèmes laissés par l’ancienne direction qui demandent du temps à être résolus.
La saison dernière, le match avait été résolu par un but de Grosso, 1-0 pour les turinois. (calciomio)

Codec H264, Mkv
Son 160kps
Formatté 16/9
Chapitré complet
pass thewildbunch22
Commentaires francais

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Killa Kyleon & Rapid Ric- Candy Paint N Texas Plates

MAYNE HOLD UP!

I'm very excited to post this disc here from one of my favorite MC's and favorite DJ's in Texas. Like my bro'z for real. KILLA KYLEON AND RAPID RIC.



It's a banger of course and I am glad to see Killa finally starting to get the recognition he deserves. He ain't no hype man, mayne, he's an incredible MC.



You can get it on WhutItDew.com

Or just click here to download Killa Kyleon & Rapid Ric- Candy Paint N Texas Plates

Eva Larue poseida con boca abierta

http://evadelarue.blogspot.com/

The Perfect Closing Argument

I might have missed some days in history class in high school, but I don't remember Thomas Jefferson ever telling you, "You can take that arrest warrant and shove it up your Communist *&%*."

Big News: Selena Gomez & The Scene to return with new album and single?

Disney pop princess Selena Gomez hasn't been doing much on the music front in terms of singles, but her and her band have kicked off their 2011 A Year Without Rain Tour in Puerto Rico, which she got some negative press for apparently, "not having scenography, back up dancers or clothing changes", playing to a stadium that had a 18, 500 spectator-limit. Hmmmm. Stick to the smaller stages, Sel.

Nevertheless, apparently the band are to start work on a new Spanish album and another English album. And they are to lift another single after US Top 40 single A Year Without Rain. GOOD. We really need another single. Personally, I don't think A Year Without Rain (the album) was good. It had way too much filler. And the only other track I can stand is Ghost of You.

In other Disney pop princess-related news, Demi Lovato's out of treatment centre which she admitted herself into last year. Props to her for sorting herself out. Now roll on the introspective third studio album.

Billboard Update

After Britney Spears breifly dethroned Bruno Mars' Grenade with Hold It Against Me, Mars has returned to #1 while Britney falls to #6 which gains the Airplay Gainer Title. The rest of the Hot 100 is exactly where you'd expect them to be, with Katy Perry's Firework at #2, Enrique Iglesias' guilty pleasure of a track Tonight (I'm Lovin' You) rising up to #4. Gaining some serious momentum is P!nk's F**kin' Perfect which manages to hit a new peak of #11 thanks to digital downloads. Taylor Swift also moves up with Back To December hitting #22 this week. Going from strength to strength is Christina Perri, who's Jar of Hearts has flown to a new peak of #26. Suffering a huge slip is Avril Lavigne, whose What The Hell has fallen to #31. No worries, Lavigne's music video premiered last week so you can expect it to go up on this week's chart. Adele's Rolling In The Deep is also pushing its way up the charts, hitting #84 this week. Rihanna's latest single S&M has re-entered at #90 this week.

Over on the albums chart, the entire Top 5 is filled with new releases with The Decemberists at #1, looking down at Kidz Bop Kids, The Script, Social Distortion, Gregg Allman in that order, while Bruno Mars' Doo-Wops & Hooligans falls to #6. Getting the Greatest Gainer Title is Katy Perry's Teenage Dream set, rising to #7 from #13 last week.

Ron Cornelius ~ Tin Luck [Polydor, 1972]

A1. Ive Lost My Faith In Everything But You
A2. Swim Brown Dog
A3. Like It Used To Be
A4. How Could You
A5. Left Handed Lover

B1. Evening Is Coming
B2. Indoor Outdoor Lovin'
B3. I Wonder
B4. Still Gone

Guitar, Keyboards - Ron Cornelius
Bass - Joe Davis
Drums - Paul Distel



'Simply one of the greatest under-the-radar major label folk records ever. Though, in my eyes it's on the same level as the best stuff of the era - period. Massive, haunting, personal - and epically real. A total desert island pick for me. Hard to beat.' ~ joaquim peso

bare-bones, heartbreaking one-off fer ron cornelius, who cut his teeth in the band West & later became an in-demand sesh musician, guesting fer the likes of dylan & lenny cohen in the glory daze of yore. illuminating interview at waxidermy. 320 rips later

Kartik Trivedi ~ Basanti: Indian Raga Music On Piano [Sharda, 1980]

KM 4386

A. Alap, Jor, Jhala
B. Aochar, Gat in Teental

Kartik Trivedi ~ Piano, Cover Illustration
Subhash Sarkar ~ Tabla

this precious recording was shamelessly swiped from raga blog, who tirelessly endeavor in furthering the evolution of our species. i love piano when it's applied to eastern scales. 320 rips courtesy of jc-l w/ my own scrounged imagery

Avenged Sevenfold - Victim Mp3 and Lyric

Free Download Avenged Sevenfold - Victim Mp3 and Lyric

Avenged Sevenfold songs album download mp3 Avenged Sevenfold download for free latest album free download Avenged Sevenfolda song collection of songs following the latest Avenged Sevenfold music lyrics latest Avenged Sevenfold Avenged Sevenfoldmusic mp3 free free download free mp3 Avenged Sevenfold

Download Via 4shared

Lyric :

House full of roses, a letter on the stairs
A tape full of messages for anyone who cares
Collage of broken words and stories full of tears
Remembering your life cause we wish that you were here

Nothing is harder than to wake up all alone
Realize it's not okay, it's the end of all you know
Time keeps passing by, but it seems I'm frozen still
Scars are left behind, but some too deep to feel

And some say this can't be real
And I've lost my power to feel tonight
We're all just victims of a crime
When all's gone and can't be regained
We can't seem to shelter the pain inside
We're all just victims of a crime

Some days you'll find me in a place I like to go
Ask questions to myself 'bout the things I'll never know
What's left to find? Cause I need a little more
I need a little time, can we even up the score?

And some say this can't be real
And I've lost my power to feel, tonight
We're all just victims of a crime
When all's gone and can't be regained
We can't seem to shelter the pain, inside
We're all just victims of a crime

Nothing lasts forever, for all good things it's true
I'd rather trade it all while somehow saving you
It must have been the season that've threw us out of line
Once I stood so tall, now I'm searching for a sign

So don't need your salvation with promises and kind
And all the speculations, save it for another time
'Cause we all need a reason, a reason just to stay
And some just can't be bothered to stick around another day

And some say this can't be real
And I've lost my power to feel, tonight
We've all been victims of a crime
When all is gone and can't be regained
We can't seem to shelter the pain inside
We've all been victims of a crime

Victims of a crime
Living with this crime

I'm missing you
I'm missing you
I'm missing you
I'm missing you...

Michel Mainil - Reflections in Blue: Live concert at the Brussels Music Village

Michel Mainil - Reflections in Blue: live-optreden in de Music Village (Nederlands) Michel Mainil - Reflections in Blue: Live concert at the Brussels Music Village ( English)

A great live registration based on the hard bop tradition!
MICHEL MAINIL - REFLECTIONS IN BLUE: Live concert at the Brussels MUSIC VILLAGE
Hans Koert

Michel Mainil released a new album entitled Reflections in Blue, named after a James Williams composition. The Michel Mainil Quartet - Reflections in Blue album, was recorded live at the Music Village, a well known jazz club at the Steenstraat near the Grote Markt of Brussels. Michel Mainil performed with his quartet, featuring himself at the tenor and soprano saxophone, Alain Rochette at the piano, José Bedeur at the double bass and Antoine Cirri drums. The concerts took place in the first week of August, 2009. Michel Mainil is born in La Louviere and studied at the Conservatory of La Louviere. As a student he discovered the music of Duke Ellington and became fascinated by the great reeds players John Coltrane, Sonny Rollins and Stan Getz. From the former he loved to listen to records like Blue Train and Afro Blue Impression. He played in all kinds of (jazz) bands, from traditional jazz to world music, before he left Europe for a few years to live in Cameroon, where he played with local groups. When he returned to Belgium he founded his band Nemesis with Pascale Loriers, Piet Verbiest and Guy Vaerendonck. He also directed the Michel Mainil Quintet with Paolo Loveri, Alex Furnelle, Alain Rochette, José Bedeur and Richard Rousselet. He played in a group, dedicated to the music of Monk, entitled A Monk's Flavour. During the last decade Michel is active in numerous groups and projects, too much to make a complete list, and this quartet is one of it.
The Michel Mainil Quartet released an album entitled Water and Other Games, recorded in La Louviere in November 2003 for Aram and this one, Reflections in Blue seems to be a logical follow up.
The album contains seven tracks, originally composed by some well known composers like Cole Porter ( Get Out Of Town), George Gershwin ( with one of the highlights from the Porgy en Bess suite, I loves You Porgy) and the Wayne Shorter tune, Footprints, which Shorter recorded in February 1966 for the first time with his Quartet for the Blue Note album Adam's Apple and which would become one of Shorter's best known compositions. Footprints is one of the lengthy tracks released on the Michel Mainil album, as most have a 10 minutes playing times - one of the joys of a live concert registration.

The seldom heard tune Mishima, a David Schnitter composition, was, like the title track Reflections in Blue, only recorded in December 1978 by Art Blakey and his Jazzmessengers, in the period that David Schnitter played the tenor saxophone in that band. Michel Mainir ( photo courtesy: J-P. Stercq)

A remarkable choice is the tune Beija Flor, which opens with a piano intro by Alain Rochette and a great bowed solo by José Bedeur. It's a Brazilian song ( Beija Flor is a kind of hummingbird ) originally composed by Nelson Antonio da Silva, a guitarist better known as Nelson Cavaquinho. Nelson started his career at the cavaquinho, playing Choro music, before he specialized in samba's. This tune has been recorded by the Peter Herbolzheimer Rhythm Combination & Brass May 1994 and recently by the Marco Cesar Sexteto Capibaribe and the quartet of the popular 12-strings cavaquinho player Hamilton De Holanda. Another stranger in the midst is the jazz traditional Just A Closer Walk With Thee with a less successful vocalized bass solo by José Bedeur.

The Michel Mainil Quartet features skilled jazz musicians like José Bedeur, active on both double bass as chello, who played with great names like Coleman Hawkins, Claude Bolling, Martial Solal, Johnny Griffin and Tete Montoliu; Alain Rochette, piano player and Michel Mainil know each other well and play for years together. Antoine Cirri, drummer, is also part of the Alain Cupper Quartet, the group of the Belgian baritone saxophone player and the group Jojoba, with Jean-Luc Pappi at the piano.

If you like jazz with its roots in the 1950s jazz tradition, like the hard bop, this album should be in your collection. You can order the album Reflections in Blue on this site.

Hans Koert

keepswinging@live.nl

Twitter

The Michel Mainil Quartet recorded live at the Brussels Music Village jazz Club and the concert was released on an album entitled Reflections in Blue. Four skilled Belgian jazz musicians honour the jazz from the 1950s and 1960s with some rare heard tunes. Keep Swinging reviewed it - don't miss it. If you love to read it all, follow it at Twitter or ask for its free newsletter.

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Mahotella Queens ~ Marriage Is A Problem [Shanachie, 1991]

1. Selailai [Attractive Woman]
2. Mokoka [Stamina]
3. Ba Bakoto [The Right Ones]
4. Dikhomo [Cattle]
5. Leselesele [A Thief]
6. Jive Makhona [Makhona Dance]
7. Mantshi [A Lot Of]
8. Kgarebe Tsaga Mothusi [Mothusi's Daughter]
9. Thonthodi [A Litter]
10. Nyalo Ea Tshwenya [Marriage Is A Problem]

'Mahlathini and the Mahotella Queens were formed in 1963 at Gallo Studios; Mahlathini was the King of the Groaners, the Queens studio singers at Gallo for many popular artists (leader of the Queens, Hilda Tloubatla, also recorded tracks for the S.A.B.C. (South African Broadcasting Corporation) in the 1950's. After just eight years together with the backing band, the one and only Makgona Tsohle Band, the group split and a group of four understudies starting recording with fellow group Abafana Baseqhudeni under the Mahotella name - they produced one album, "Izibani Zomgqashiyo" of 1977 but Mbaqanga fans refused to buy the product. The original Queens, Hilda Tloubatla, Nobesuthu Shawe, Mildred Mangxola, Joyce Makhanya, Paulina Zulu and Thoko Nontsontwa (only the first four are shown on the album cover) rejoined Mahlathini and this album was the result.

"Marriage Is A Problem", sung in Sotho rather than Zulu, is a marvellous piece of work, with such classic tunes included; "Kgarebe Tsaga Mothusi", later recorded as "Thuntswane Basadi", features Mahlathini doing what he does best - growling! - whilst the last track "Nyalo Ea Tshwenya" features the Queens performing alone. The lyrics say "Marriage is a big problem, we thought we couldn't return but we have... we are touring all over the place, promoting our music."

As a bonus, the track "Mantshi" is a non-vocal track by the Makgona Tsohle Band, with a wonderful accordian lead, with the late Marks Mankwane, Joseph Makwela and Vivien Ngubane providing excellent guitar rhythm. A great "jive-tastic" album featuring THE professionals in Mbaqanga music. '

'Tse Hlwahlwa Tsa" was a Sotho-language "Best of..." series that Gallo/Mavuthela put out in the early 1980s. Each of their mbaqanga/soul artists had one of their own "Tse Hlwahlwa Tsa" releases, but oddly enough, the Mahotella Queens had two of them. I guess this is where the confusion lies! The first album featured songs recorded between 1970 and 1980, and the second album featured songs recorded between 1967 and 1975. Here are further details about the 2nd album to clear up any confusion:

Release date: 10 October 1983
Label: Gumba Gumba BL 456

A1) Marena
A2) Ba Bakoto
A3) Dikhomo
A4) Jive Makhona
A5) Mantshi
A6) Mathatha Aka

B1) Selailai
B2) Thonthodi
B3) Nyalo Ea Tshwenya
B4) Kgarebe Tsa Ga Mothusi
B5) Mokoka
B6) Leselesele

The second album was later re-released in the USA in 1991 by Shanachie Records under the title "Marriage is a Problem" [the English translation of 'Nyalo Ea Tshwenya']. 'Nyalo Ea Tshwenya' was originally released in 1975 on 45 rpm. There was no album released in 1975 with the title 'Marriage is a Problem'." ~ Nick Lotay

granted, the cover looks like ass, but vintage queens are no joke. further

Caribou - Bowls

Caribou - Sun

European Cup 1976 1977 Borussia Mönchengladbach Dinamo Kiev

Semi Final, Second Leg

Rheinstadion, Düsseldorf
20 April 1977
Attendance: 72,000

On sentait confusément que le football allemand, secoué par l'affaire Becken-bauer, devait faire quelque chose ce soir-là. Par l'Eurovision, il y avait toute l'Europe attentive, prête à contempler, ravie, la chute d'une grande dynastie. Eliminé par Dynamo Kiev, le Bayern Munich avait transmis au Borussia Mbnchengladbach l'honneur de perpétrer une suprématie indiscutable. Alors, ils étaient soixante-dix mille, dans le Rheinstadion de Dùsseldorf, résolus, disposés à l'enthousiasme, prêts à vivre intensément le sursaut d'orgueil du football allemand. L'explosion furieuse d un public impatient saluait les deux équipes qui jetaient, éperdues, leurs forces dans une rencontre musclée. Par les haut-parleurs, la multitude avait été conditionnée. Appel au peuple : « Heynckes ne jouera malheureusement pas ce soir. Il sera remplacé par Heidenreich, mais ne soyez pas découragés... » Et le speaker s'exclamait : » Encouragez votre équipe, soyez le douzième homme de Borussia. »

On ne pouvait pas être plus clair. Heureusement. Heidenreich étonnait tout de suite par sa manière nerveuse et décidée d'entamer le match. Remarquable dribbleur. il réussissait un numéro apprécié sur l'aile gauche et sortait souvent victorieux de ses raids solitaires. Les Soviétiques étaient également surpris. Ce n'était pas lui qu'ils attendaient, ils étaient déconcertes. Le match était lancé, à sens unique d'abord, comme on pouvait s'y attendre. C'est-à-dire, que les Soviétiques se massaient carrément dans leur camp. L'application des consignes de Loba-novski. l'entraîneur qui, en Europe, a le moins confiance en ses joueurs, était rigoureuse. Le marquage s'effectuait au plus près. Les moyens les plus durs étaient même parfois employés. Cependant, un joueur émergeait, c'était Bonhof que Burjak, désigné pour le surveiller, avait du mal à suivre. Bonhof était partout où l'action était chaude, magnifique de santé, prototype du footballeur allemand actuel. Par ses dispositions athlétiques et sa merveilleuse technique en mouvement, il pouvait transpercer, et affoler les lignes renforcées des Champions d'U.R.S.S. Des Champions d'U.R.S.S. qui décevaient une nouvelle fois. Il n'y avait que Blok-hine, le talent de Dynamo, pour rappeler que Kiev, par sa seule présence, pouvait être dangereux. Mais il semblait encore plus seul que d'habitude, Blokhine, et il assistait impuissant au spectacle attristant que fournissait son équipe. Derrière, ça flottait. Rudakov donnant l'impression de paniquer à chacune de ses interventions. 

 L'acharnement de Dynamo Kiev à défendre son avance d'un but était trop confuse pour ne pas déboucher sur l'accident idiot. Ce fut à la 21* minute. Après une hésitation, et une sortie hasardeuse de Ruda-kov, Simonsen, le petit Danois surnommé « poison violent », plaçait un tir à ras de terre qui trompait le gardien de Dynamo. Matvienko, placé en couverture, fut déséquilibré et arrêta le ballon de la main. M. Rion, l'arbitre belge de la rencontre, désigna aussitôt le penalty que transforma avec beaucoup d'autorité Bonhof. Les Allemands, étaient sur-voltés. Après une longue course rectili-gne. Stielike adressait un centre sur la tête de Simonsen, mais le ballon passait de peu au-dessus de la barre (29"). Stielike rappelle un peu, par son allure, le Nantais Gilles Rampillon mais en plus musclé. C'est la nouvelle vedette en Allemagne. On dit qu'un avenir particulièrement brillant lui sourit. Le Bayern Munich s'intéresse à lui et serait prêt à payer très cher pour qu'il devienne le successeur de Franz Beckenbauer. Car Ulrich Stielike est un libero qui n'est pas encore fixé à sa véritable place. Comme Beckenbauer à ses débuts, il évolue surtout au milieu du terrain où sont appréciés son sens de l'intervention et la précision de ses passes. Devant Dynamo Kiev, Ulrich Stielike était mal remis d'une blessure. Il a rayonné mais n'a pu finir le match et c'est Hannes qui l'a remplacé. Un jour, Kaiser Franz a dit : « Stielike est un des joueurs les plus intelligents que je connaisse. C'est, en tout cas, celui qui me comprend le mieux sur le terrain ». L'hommage du maître. Borussia Mônchengladbach avait largement mérité son avantage à la mi-temps. On ne comprenait pas très bien pourquoi les Allemands piétinaient au début de la deuxième période. 

 Lobanovski en profitait pour apporter une modification à son équipe. Il faisait sortir Surjew, surtout remarqué par sa brutalité, et Muntian rentrait (54"). Avec lui, l'équipe soviétique prenait un aspect plus offensif et les Allemands devenaient de moins en moins sûrs de leur supériorité. Les Allemands voyaient avec angoisse l'heure passer et arriver la nécessité de disputer des prolongations. Et puis, il y eut un coup-franc à vingt-cinq mètres. C'était à la 82* minute. Bonhof s'approcha doucement et loba la défense alors que Rudakov s'attendait à un tir puissant. A la réception, Wittkamp, l'arrière central, rabattait le ballon de la tête et le reprenait en force. Matvienko dégageait de l'épaule. Les Allemands réclamaient le penalty. Les Soviétiques s'arrêtaient, mais, pendant ce temps, Wimmer centrait et Wittkamp, qui n'avait pas bougé, expédiait de la tète la balle dans les filets. La finale du 25 mai, à Rome, est vraisemblablement sauvée par la présence de Borussia Mônchengladbach. Avec Liverpool cela fera deux équipes offensives présentant des atouts aussi redoutables.
Udo Lattek fait remarquer : "pour convaincre tout le monde que nous ne sommes plus les maudits de la Coupe d'Europe, il ne nous reste plus qu'à la gagner. Donc, le plus dur nous attend. » Et il a répété : "Cette fois, il faudra vraiment que notre meilleur but-teur Heynckes soit rétabli. » Même si ce n'est pas le cas, la formule peut lui porter bonheur.

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Link

http://desna.kiev.ua/profootball/index.php?newsid=188

Голы: 1:0 Бонхоф (21, с пенальти), 2:0 Витткамп (82).

 "Боруссия" (Менхенгладбах): Кнайб, Фогтс, Клинхаммер, Витткамп, Бонхоф, Волерс, Симонсен, Виммер, Кулик, Штильке (Ханнес, 80), Хайденрайх."Динамо" (Киев): Рудаков, Коньков, Матвиенко, Фоменко, Решко, Трошкин, Зуев (Мунтян, 57), Онищенко, Буряк, Бережной, Блохин.
Предупрежден: Коньков.

Links

http://www.europeancuphistory.com/euro77.html

http://en.wikipedia.org/wiki/1976%E2%80%9377_European_Cup

http://www.rsssf.com/ec/ec197677det.html#cc
http://www.stickerfreak.de/Bergmann%20Seiten/Bundesliga%201976-77/BMG%201977.html