Showing posts with label NYC. Show all posts
Showing posts with label NYC. Show all posts

Tuesday, May 24, 2011

COMPLEXIONS CONTEMPORARY BALLET...DESMOND RICHARDSON HONORED WITH CAPEZIO DANCE AWARD!





SpringJoyce_Rack 


Desmond Richardson - a celebrated dancer with Complexions Contemporary Ballet company- will be honored with the 60th Annual Capezio Dance Award at the Joyce Theatre on Tuesday May 24th in the Big Apple.

In a recent press notice, Mr. Richardson took the opportunity to welcome fans of the dance troupe to the opening season which starts up this week in the heart of New York City.

"I'm so looking forward to sharing our first spring Joyce season of performances with all of you, and can't wait for you to witness the beauty of our phenomenal dancers."

"This season is indeed special in so many ways. I'm thrilled to be dancing in the New York premiere of Dwight Rhoden's Testament - set to an array of classic spirituals - that will really touch your soul, and move your spirit."

"This week will also include works that exemplify the diverse body of work that has become the hallmark of Complexions - with Moon Over Jupiter (Rachmaninov) Rise (U2), Moody Booty Blues (Muddy Waters/Stevie Ray Vaughn)."

Mr. Richardson was quite touched by the deserving dance honor bestowed upon him.

"Dancing has been my life for so many wonderful years, and I believe in its power to move and transport audiences, taking them on a journey. That passion for dance, is so real to me - and to be recognized in this way for doing something that I've loved, and love every since I can remember - will truly be a great moment for me."

Congratulations Desmond!

http://www.thetattler.biz

desmond.karsten


Thursday, April 14, 2011

Tribeca Film Festival...Brian Williams to interview Robert De Niro! Elton John documentary to screen! April 20th - May 1st in NYC!








To celebrate ten years of screening cutting-edge films, officials at the Tribeca Film Festival have announced they are introducing a thrilling thought-provoking "Talk" series to feature high-profile personalities in the industry.

Brian Williams, Alec Baldwin and Martin Scorsese are slated to conduct one-on-one interviews with the likes of - Robert DeNiro, Doug Liman and Souleymann Cissee respectively - at the much-anticipated Director series to be held in New York City.

The upcoming annual fest - which normally boasts packed houses - runs April 20th through May 1st in lower Manhattan.

In recent days, the organizers have also leaked out details about a handful of dazzling special events, causing a big buzz in show-biz circles.

For instance, Cameron Crowe's documentary on singer - Elton John - premieres at a free outdoor screening on April 20th at the North Cove at the World Financial Plaza.

Attendees will need TFF wristbands to be seated at the event which will be distributed to the public on a first-come first-served basis at the BMCC Tribeca Performing Arts Center on April 20 at 4 pm..

"The Union" is a behind-the-scenes snapshot of the "out" Diva - who recently recorded his latest album - as a collaborative musical effort alongside legendary rock 'n roller (and good friend) multi-talented Leon Russell.

Producers are hailing the flick as an extraordinary journey of the heart which captures a "candid portrait" of one of the world's most-treasured enduring artists.

“Cameron Crowe gives audiences unprecedented access to Elton John and Leon Russell’s artistic process in an emotional and realistic way," one festival biggie enthused at a recent press junket.

Award-winning T-Bone Burnett took on the role of studio producer and nurtured the eclectic recording project to completion in recent days.

Lyricist Bernie Taupin, Neil Young, Brian Wilson, legendary R & B organist Booker T. Jones, and steel guitarist Robert Randolph (in addition to a 10-piece gospel choir) are also showcased on the much-touted album.

At press time, it was announced that Elton will take the stage after the screening of the insightful documentary and perform a tune or two with celebrated friends in tow.

"It’s a special opportunity to open our 10th Festival in a distinct and unique way. Not only are we inviting the community to join us for the world premiere of Cameron Crowe’s film - "The Union" - but to have Elton, whose music transcends generations, perform after is an extraordinary gift to our Festival and more specifically the downtown community,” gushed Jane Rosenthal, co-founder of the Tribeca Film Festival.

Crowe sang Elton John's praises, too.

"As a longtime fan of both artists, it was a pleasure to spend a year filming their collaboration,” said Cameron Crowe.

“We can't wait to show it to one of the greatest audiences in the world at the Tribeca Film Festival," Cameron crowed to all within earshot.

In addition, the "Tribeca Talks" showcase five new documentary titles, which feature lively discussion panels with a spotlight on the likes of actor/director Sean Penn and top vocalist Harry Belafonte, for example.

Five of the documentary titles are - "The Education of Dee Dee Ricks", "Love Hate Love", "Off the Rez", "Grandma, A Thousand Times", and "Sing Your Song "- all of which receive exclusive screenings as part of the Tribeca Talks "After the Movie” series.

Another one-of-a-kind world premiere event will be the screening (and in-depth examination) of the feature L.A. Noire  - which is a new interactive crime thriller being released in the spring by Rockstar Games.

A Q & A will follow a "L.A. Noire" live demonstration of the detective game (where players solve complex, historically-inspired crimes in a beautifully recreated and fully interactive rendition of 1947 Los Angeles).

Tribeca’s special events are rounded out by a handful of Tribeca/ESPN Sports Film Festival screenings which include Alex Gibney’s "Catching Hell" (about notorious Chicago Cubs fan Steve Bartman), free “Tribeca Talks: Industry” panels (designed for industry professionals to explore the ways they can use new digital platforms to advance their film projects) and “Tribeca Talks: Pen to Paper” (which are insightful panels hosted by Barnes & Noble that focus on the artistic process of screenwriting.

“We wanted to celebrate our Tenth Festival by inviting some of the finest filmmakers, media artists and actors of our time to share their insights and experiences through the Tribeca Talks series," underscored Nancy Schafer, the Executive Director of TFF.

“We have over the years established a tradition of conversations that both engage audiences in the details and revelations of contemporary film making as well as offer a perspective as to the direction and the future of storytelling and the industry. This is so much a part of what festivals can do to enrich the viewing experience for their audiences and we are proud to present this special series."

There will be quite a few world premieres to keep film buffs clucking around the circuit, too.

The world premiere of "The Education of Dee Dee Ricks" is a documentary which demonstrates how a successful businesswoman and mother’s life changed when - after being diagnosed with breast cancer - she set out to make life easier for less fortunate cancer patients.

The stirring film is followed by a conversation with Dee Dee Ricks, producer Lisa Cohen, Ralph Lauren Center for Cancer Care and Prevention founder Harold P. Freeman MD, and public health advocates.

The event is to be moderated by director Perri Peltz.

"The Beautiful Mind" screening examines the life of Nobel Prize-winning mathematician John Forbes Nash Jr. and will be followed by a panel discussion puts the glare of the spotlight on director Ron Howard, producer Brian Grazer, screenwriter Akiva Goldsman, the film’s math consultant, Dave Bayer, author Sylvia Nasar (whose book inspired the film) and theoretical physicist and mathematician Brian Greene.

The event is slated to be moderated by NPR’s Ira Flatow.

The North American documentary premiere of - "Grandma, A Thousand Times" - examines a family matriarch as she struggles to cope with the silence of her once-buzzing house and imagines what waits her beyond death.

Hosted by the Doha Tribeca Film Festival, it should be noted for the record, that the film won the Audience Award for Best Documentary Film (2010).

The screening will be followed by a discussion with director Mahmoud Kaabour on the experience of making films in the Middle East.

The world premiere of - "Love Hate Love" - is all about the difficult journeys of three families torn apart by three separate acts of terrorism - the attacks on the World Trade Center, the London bus bombing, and the Sari Club bombing in Bali - and is followed by a conversation with executive producer Sean Penn, directors Dana Nachman and Don Hardy (as well family members featured in the film which includes Liz Alderman, Steve Alderman, Esther Hyman, and Ben Tullipan).

The New York premiere of - "The Loving Story" - recounts the unknown love story of Mildred and Richard Loving (the couple behind the 1967 Supreme Court ruling overturning anti-miscegenation laws in the United States).

The stirring legal foray is followed by the appearances of director Nancy Buirski, attorney Phil Hirschkop (who represented the Lovings), Anthony Romero, and the Executive Director of the American Civil Liberties Union (who discuss the landmark case and current issues surrounding race and marriage equality).

"Off the Rez" - a world premiere event - tracks Shoni Schimmel (a Umatilla Indian and one of the best high school basketball players in the country) whose hoop dreams of being the first from her tribe to get a college scholarship are threatened after her family leaves the Umatillia Indian Reservation.

The screening is followed by a Q & A with executive producers Kelly Ripa and Mark Consuelos, director Jonathan Hock, Discovery and TLC Networks president Eileen O’Neill.

The special event is moderated by Pulitzer Prize-winning journalist - and author of Friday Night Lights - Buzz Bissinger.

The world premiere of - "Revenge of the Electric Car" - is an up-close peak behind the closed doors of - Nissan, General Motors and Tesla Motors - at a time when the major auto makers race to develop the world’s first and most economically accessible electric car.

The screeners are promoting a panel discussion to be headed up by guest speakers director Chris Paine (President and Chief Executive Officer) Nissan Motor Co. Carlos Ghosn, Tesla Motors CEO Elon Musk, and Pulitzer Prize-winning Wall Street Journal columnist Dan Neil.

The much-anticipated event is moderated by actor, writer, and director David Duchovny.

"Sing Your Song" - a New York premiere offering - is a stirring documentary that examines legendary entertainer Harry Belafonte’s continued humanitarian contributions to the arts, the U.S. Civil Rights Movement, the fight against Apartheid, combating starvation in Ethiopia, and so much more.

Harry Belafonte is scheduled to appear for a Q & A with the filmgoers who attend.

Moderated by Tavis Smiley.

To fill out the program, there will also be scintillating screenings of 11 short films which explore the contributions of women filmmakers in the canon of the American experimental avant-garde.

This program also celebrates 15 years of direct financial support for preservation of historically under-recognized films by women through the Women’s Film Preservation Fund of New York Women in Film & Television.

A discussion follows with an eclectic group of women filmmakers who helped shape avant-garde cinema.

"Digital by Design", meanwhile, focuses on a conversation with producers, filmmakers, SAP and industry executives about the emergence of online digital platforms and applications that provoke filmmakers to confront technology head-on including funding models, intellectual property management and distribution channels.

Sponsored by SAP.

Panelists that night include Richard Whittington, Senior Vice President of media and entertainment at SAP, and writer/director Edward Burns.

"Shooting Film on a Budget" is an interesting presentation on the subject of filmmaking which is understandably sponsored by Kodak.

One of the most important aspects of realizing your independent feature is determining the right look.

How will you capture your images and bring the script to the screen in a meaningful, visual way?

Filmmakers and cinematographers must consider many variables such as mood of the story, production restrictions, post work flow, etc.

Too often these important decisions are determined by the bottom line.

However, many filmmakers are able to get the most out of their budgets while still shooting film.

Kodak invites budding filmmakers to attend this event which features celebrity guests - Michael Cuesta (writer/director of Roadie) and producer Karen Chieto - to learn how they created beautiful and cost-effective cinematic narratives on film.

Also -the "Business of Entertainment" - is expected to draw large crowds.

The program will explore the trends that affect the economics of the film business and the broader entertainment industry.

This year's panel have invited leading CEOs, producers, financiers, media - and other industry leaders - who will focus on how to finance films in the 21st century.

"Are Documentary Films Changing the World?" focuses on - filmmakers, distributors and community groups - and the new trends in documentary filmmaking (such as collaborations between filmmakers and NGOs to increase distribution and influence public perception and policy).

Panelists include filmmaker Abigail Disney - and the Co-Founder of Impact Partners - Dan Cogan.

For the Internet crowd - "Amplify the Message: Social Media" - may be of particular interest.

The panel discussion focuses on how film producers and directors engage new interactive audiences through such networks as Twitter, Facebook, Tumbles, GetGlue and Foursquare (and how much of an impact social networking has on a movie’s success or failure on multiple platforms).

Moderated by Marc Schiller (the CEO and Founder of Electric Artists).

Panelists include Rider Strong, director/screenwriter of The Dungeon Master, Howard Tullman, President & CEO of Tribeca Flashpoint Media Arts Academy, and others.

The conversation will be streamed live on the Tribeca Online Film Festival website.

http://www.tribecaonline.com

Finally - "Meet the Documentary Broadcasters" - is expected to be a spirited conversation with industry broadcasters about the type of nonfiction films they’re drawn to and their thoughts on where this genre is headed.

See 'ya there!

http://www.thetattler.biz




Sunday, April 3, 2011

Los Angeles...skyscrapers to compete with Times Square! LA LA LAND destination city!









Tourists and locals alike are quite keen to the fact that if they saunter downtown after hours in Los Angeles, that they'll pretty much encounter a ghost town with little late-night entertainment to offer.

It is not surprising to hear that the hip with-it set interested in partying-hearty often jet to Las Vegas or Manhattan - especially if they're pining for trendy watering holes to hang out in 'til the wee hours of dawn.

But, the developers behind the billion-dollar Wilshire Grand project have their sights on transforming that boring image to ensure LA LA LAND is a destination city in the future.

For example, along the upper floors of the planned 45-story hotel and 65-floor office tower, architects have hatched up a novel idea to etch a myriad of fanciful images of butterflies, waterfalls, and galaxies of stars by embedding thousands of lights in the building's surface.

The lower floors would feature a dazzling array of commercial ads to enliven the normally-dark canyons of the downtown city core.

Think the Chanel building in Tokyo or the Cira Centre in Pennsylvania.

And, in the end scenario, the landowners expect to transform and revitalize the heart of Los Angeles

Korean Air, the main financial backer, has teamed up with a host of - business entities, high-profile glad-handing politicians (and even unions) - to rustle up the clout necessary to green-light the project with officials and city planners in the corridors of power.

Needless to say, a nasty debate has reared its ugly head over the issue.

Critics argue that the proposed plan will radically alter the city's skyline, for starters.

And, because of it, developers may end up butting heads with established factions in Los Angeles who have their own visionary ideas about what kind of evolution should take place in the future.

Opponents prefer the trend away from excessive signage in the cityscape to one that follows a green policy that is environmental-friendly.

One critic has cautioned that the city shouldn't allow light emitting diodes (LEDS) on dozens of stories of any skyscraper until there is a blueprint in place for regulating the technology.

True!

What do you think?

News at 11!

http://www.thetattler.biz




Transformation of downtown Los Angeles

Saturday, December 11, 2010

Blank City...documentary on NO WAVE directors provokes thought! Circa 1970's NYC!








On occasion, a film-goer saunters into a theatre - the lights go down - and they find themselves swept up into a thoroughly thought-provoking celluloid experience.

Such is the case with Blank City - a documentary on the "NO WAVE" film directors who roamed the artsy-fartsy climbs of the lower East-side of New York City - with 8mm cameras in greasy hand in the mid-to-late seventies at the height of the Big Apple's undisputed decline into total debauchery.

The motley crew of visionary artists (lured by cheap rents and squatter's rights) - featured in the well-crafted enlightening documentary - are only now being exalted (in part due to the deliberate efforts of the producers of Blank City who totally believed in this off-beat - but very real - gritty project).

Known to many as the "trangressives", these madcap filmmakers shook the sensibilities at a time when NYC was the hub of a hip culture where music, art, and fashion crossed-over in the lower East side of Manhattan.

This is how the producers describe their film:

"Uncovering New York’s underexposed filmmaking movements circa 1977 to 1987, this provocative documentary begins when New York City was ripe with cheap rent, cheap drugs, a summer hit by “Son of Sam,” and a 25-hour blackout. Captivated by the newly emerging downtown music scene, and inspired by Amos Poe’s 1977 punk documentary “Blank Generation,” two distinct groups of novice filmmakers emerged, hell-bent on capturing the volatile world around them."

And, at any cost!

"We had no money. So we stole our film stock and materials," one director joked in a candid interview.

One week, the young dynamic directors were in the mean streets shooting video - the next - screening their raw images at the St. Mark's Theatre for $2 a pop.

"Everyone had to pay. Especially, when wealthy patrons from uptown started to slip down into the bowery to catch our work when it became all the rage!"

The filmmakers recalled that it was a scary time in New York, too.

"You would be afraid to walk down the street at night for fear of being killed. There were so many empty lots, gutted-out lofts, and run-down tenement buildings."

At a time when the city was on the edge of bankruptcy, landlords had either abandoned their properties, or were inclined to offer up the premises for pittance to the struggling artists who dug in joyously in their inspiring haunts.

"We were itinerant Kings in broken-down castles," one auteur laughingly recalled.

In the scintillating documentary, a number of familiar faces parade across the screen - Deborah Harry - for instance.

The pop singer was a mainstay in the neighborhood during that time frame and often appeared in an experimental film or two.

Steve Buscemi (Fargo) also recalled that he starred in his first low-budget feature in these humble environs.

John Waters felt the movement was so important that he grabbed the opportunity to be interviewed onscreen to offer up commentary on the first wave of true Indie directors in the United States.

I used to reside on 2nd Street on the East Side in 1974 - and believe me - the filmmakers captured the essence of that remarkable era to a "t".

Readers may recall, that I once performed with a show-biz troupe known as the "Hot Peaches" - in an off-off-off Broadway production titled "The Magic Hype" - which was a spoof on the Andy Warhol superstars.

Post: 10/26/2008

http://ijulian.blogspot.com/2008/10/blogginginternet-opens-door-to-past.html

During my visit to NYC in those heady days, I struck up a friendship with an infamous Andy Warhol underground film icon by the name of Jackie Curtis.

Post:  11/24/2007

http://ijulian.blogspot.com/2007/11/jackie-curtiswarhol-star-on-edge.html

Jackie and I both played (and pursued our respective careers) in the same neighborhood where these early pioneers of independent film emerged.

"The key word in No Wave was "No"," noted film director Susan Seidelman (Desperately Seeking Susan).

"Anything that was anti-establishment," she recalled gleefully.

"The cultural scene was so bland at that time. That is why the movement sprang up. It was the start of punk, really," chimed in another.

The director for Blank City (Céline Danhier) stumbled on the treasure trove of film footage when she was doing research on a band that was featured in one of the legendary films crafted at the time (featuring the Ramones, I believe).

The documentary weaves an intriguing tale of the times by way of film clips, on-camera interviews, and old newsreels.

And, the plot is intriguing, to say the least.

For example, it is alleged that shortly after the city went bankrupt - real estate developers, city officials, and landlords - engaged in a conspiracy to "toss out" the artists so they could gentrify the lower east side.

In addition to chat about their creative endeavours, the filmmakers tend to wag their tongues on screen incessantly - too - about the illegal evictions and gross rights violations which took place in the aftermath of the 70's free-for-all.

Curiously, the documentary hints that the Reagan administration's failure to address the A.I.D.S. crisis was a deliberate one - designed to kill off all the artists (and revolutionaries) - rising up against the establishment and the status quo during that illustrious ground-breaking era.

The images are gritty, hard-hitting, and thought-provoking.

There are a handful of amusing moments, too.

Film Director Nick Zedd - for instance - noted that he starred in both the male and female lead roles in one scandalous titillating project.

"Vandals defaced the poster. But, I was glad. It got the reaction that I wanted," he laughed wickedly.

At a Q & A after the screening, the director noted that an archive of the films are currently being compiled at NYU.

"There is a definite need to preserve these important documents because they represent the emergence of independent film in this country," she concluded.

The filmmaker is currently seeking distribution for Blank City.

If it plays at a local revival house near you, do catch it!

http://www.thetattler.biz