Showing posts with label cajun. Show all posts
Showing posts with label cajun. Show all posts

Sunday, April 17, 2011

The Balfa Brothers ~ Play Traditional Cajun Music Vol I & II [Swallow, 1990] 320 / FLAC



SW6011

01. 'Tit Galop Pour Mamou 2:05
02. Je Suis Orphelin 2:35
03. T'en A Eu Mais T'en N'aras Plus 1:36
04. Two Step De L'anse À Paille 3:32
05. La Danse De Mardi Gras 2:22
06. Je Me Suis Marillié 1:56
07. Enterre-Moi Pas 2:08
08. Chère Joues Roses 2:00
09. Chère Bassette 3:52
10. J'ai Passé Devant Ta Porte 3:07
11. Les Flammes D'enfer 2:50
12. Madeleine 2:53
13. La Valse Du Bambocheur 3:12
14. Lacassine Special 2:46
15. My True Love 2:36
16. La Valse De Grand Bois 2:56
17. Family Waltz 2:39
18. Newport Waltz 2:57
19. Indian On A Stomp 2:28
20. T'es Petite Et T'es Mignonne 3:04
21. Two Step A Hadley 1:48
22. Valse De Balfa 2:27
23. Parlez-Nous À Boire 3:12
24. Les Blues Du Cadien 1:49

Accordion – Hadley Fontenot, Marc Savoy [tracks: 2, 4, 7]
Guitar – Harry Balfa, Rodney Balfa
Triangle – Burke Balfa
Triangle, Drums – Tony Balfa
Violin [Baritone] – Will Balfa
Violin [Tenor] – Marc Savoy [tracks: 10, 11]
Violin, Vocals – Dewey Balfa

Compiles two albums originally released as Swallow 6011 [in 1965] & 6019 [1974]



The Balfa family name is legendary in Cajun music. They grew up in abject poverty in Bayou Grand Louis, near Big Mamou, Louisiana, USA, where their father, from whom they gained their musical interest, worked as a sharecropper. The music offered a means of escape and relief and in the mid-40s, brothers Will (Born c.1920, d. 6 February 1979; fiddle), Harry (Born 1931; accordion) and Dewey (Born 20 March 1927, d. 17 June 1992; fiddle, harmonica, accordion, guitar and sundry other minor instruments) began to play for local dances. In 1951, they made their first recording on home recording equipment, but during the 50s Dewey frequently played and recorded with Nathan Abshire. He also appeared at the Newport Folk Festival in 1964, playing guitar with Gladius Thibodeaux (accordion) and Louis Lejeune (fiddle). In 1967, Dewey was joined by Will, Rodney (Born 1934, d. 6 February 1979; guitar, harmonica, vocals), daughter Nelda and Hadley Fontenot (an accordion-playing local farmer) and the unit toured extensively both in the USA and Europe as the Balfa Brothers (incidentally, Will always preferred to spell his name as Bolfa). In the late 60s, they recorded for Swallow and their recording of "Drunkard's Sorrow Waltz" was a bestselling Cajun single in 1967.

In 1968, they appeared in Mexico City at music festivals run in conjunction with the Olympic Games. They played music for and appeared in the 1972 film on Cajun life, Spend It All. Dewey also formed his nightclub orchestra, which comprised himself and Rodney (fiddle, guitar, vocals), Nathan Menard (accordion), Ervin "Dick" Richard (fiddle), J.W. Pelsia (steel guitar), Austin Broussard (drums) and Rodney's son, Tony (bass guitar). In the mid-70s, they made further recordings (with Nathan Abshire) for Swallow and Sonet Records and appeared in a documentary on Cajuns. On 6 February 1979, Will and Rodney were killed in a car accident. Dewey continued to perform and record as the Balfa Brothers with other musicians, including Tony, his daughter Christine (triangle), Tony, Ally Young (accordion), Dick Richard, Mark Savoy (Born 1940; accordion), Robert Jardell (accordion) and Peter Schwartz (bass, fiddle, piano) (Schwartz, who first played with the group in his early teens, was Tracy Schwartz's son).'

another band of brothers & simply some of the most vibrant & consistently uplifting recordings in my humble treehaus. this is traditional, old skool ['65-74] family style cajun musique at it's finest, delivering effortless doleful harmonies, magnificent dueling fiddles, thumping rhythms & predominant triangle! there's something really magical about these jams; the fiddle virtuosity is readily apparent & one can hear musical strains of the many cultures making up the louisiana melting pot back in the day. multi-instrumentalist extraordinaire dewey balfa was the heroic champion of cajun music & after his brothers croaked in a tragic car accident [& later his beloved wife], he continued to soldier on, bringing cajun kulture to the local community & folk festivals throughout the country. immediate, no-brainer, life-affirming jubilation of the highest order. the snake eats its tail, 320 er FLACK. further

Wednesday, August 25, 2010

VA ~ Les Haricots Sont Pas Salés [Cinq Planètes]



01 - Bee Fontenot - Pain de maïs
02 - Sirley Bergeron - La valse de la belle
03 - Nathan Abshire - Ma négresse
04 - Les Frères Balfa [Balfa Bros] - Les haricots sont pas salés #1
05 - Bee Deshotels - Aux Natchitoches
06 - Les Frères Balfa [Balfa Bros] - Tu peux cogner
07 - Nathan Abshire- Two step des Cajuns
08 - Les Frères Balfa [Balfa Bros] - Une livre de tabac
09 - Shirley Bergeron - Madame Bosso
10 - Bee Fontenot - La porte de la prison
11 - Canray Fontenot - Les barres de la prison
12 - Dennis Mc Gee - Ma chérie bébé créole
13 - Dennis Mc Gee - Madame Young
14 - Les Frères Balfa - La danse de la limonade
15 - Bee & Ed Deshotels - La veuve du lac bleu
16 - Freeman Fontenot - Les 2 cousines
17 - Alphonse Ardoin - Quoi faire ?
18 - Alphonse Ardoin & Les Frères Balpa - Bosco stomp
19 - Bee Fontenot - Make it to me
20 - Sirley Bergeron - J'ai fait mon idée
21 - Les Frères Balfa [Balfa Bros] - J'ai été au bal
22 - Canray Fontenot - Bonsoir Moreau
23 - Les Frères Balfa [Balfa Bros] - 'tit galop au Mamou
24 - Bee Fontenot - Chère Toutoute
25 - Nathan Abshire - Les maringouins
26 - Ambroise Thibodeaux - Les haricots sont pas salés #2
27 - Freeman Fontenot - Le two step à Jules

'Les Haricots Sont Pas Sales offers a wonderful snapshot of real Cajun musique, performed live in the homes of musician Dewey Balfa outside of Basile, LA, and painter Eraste Fontenot of Mamou in 1972, as part of a movie project by French filmmaker and music aficionado Jean-Pierre Bruneau. What a collection of artists they gathered together for these very informal sessions: Alphonse 'Bois Sec' Ardoin, the Balfa Brothers, Nathan Abshire, Conray Fontenot, and Dennis McGee are the most familiar names, joined by lesser-known or unheard Cajun players. Priceless pearls in the set include Bee and Ed Deshotels' 'The Blue Lake's Widow,' heartbreaking in its raw beauty and its metallic fiddle sound; and a spirited rendition of 'One Pound of Tobacco' by Dewey, Will, and Rodney Balfa in their prime. Abshire and the Balfas join together for the classic 'Ma Négresse,' and a little-heard pair of cousines (dance tunes for solo accordion) are offered by Freeman Fontenot. Whether it's an old favorite or a little-known gem, the whole set is a pleasure to hear--a reminder of the roots and the power of the living room jam session.' ~ Louis Gibson



seemingly obscure cajun compilation originally released on lp in 1972 & expanded for polycarb coaster re-ish in 1999. features the recording of the performance above & 26 other pearls :) more balfa brothers & nathan abshire. nuff said. 320 thanks to tineg

Thursday, August 19, 2010

Harry Choates ~ Fiddle King of Cajun Swing [Arhoolie]







Harry Choates - fiddle & vocals
Johnnie Mae Smirle [Manuel] - piano
Joe Manuel - banjo
B.D. Williams - bass
Eddie Pursley - guitar
Ron Ray 'Pee Wee' Lyons or Julius “Papa Cairo” Lamperez - steel guitar



'Harry Choates was an American Cajun music fiddler. Choates's place of birth is disputed. He moved to Port Arthur, Texas in the 1930s, and received little schooling, instead spending time in local bars listening to music on the jukebox. By age 12 he started playing fiddle for spare change in barbershops. He gained early professional experience playing in the bands of Leo Soileau and Leroy LeBlanc, then split off to form his own group called the Melody Boys in 1946. His 1946 song 'Jole Blond', a top 10 hit for Choates, was recorded by country singer Moon Mullican and became a major hit.

Harry Choates was not only one of the most influential musicians in the history of Cajun music, but one of its most tragic figures. A wild and imaginative fiddler, Choates wrote such classic tunes as the Cajun national anthem 'Jole Blon,' & popularized such songs as 'Allons à Lafayette.' Recording for Gold Star, DeLuxe, D.O.T., Allied, Cajun Classics, Macy's, and Humming Bird, Choates introduced Western swing, blues, jazz & country music to the two-steps and waltzes of southwest Louisiana's bayous, influencing nearly every Cajun musician who followed in his footsteps.

Like Hank Williams, Choates balanced his musical talents with painful struggle in his real life. An acute alcoholic, he sold the rights to 'Jole Blon' for $100 and a bottle of whiskey. His habit of missing concerts led him to be blacklisted by the musicians union in San Antonio and resulted in his band breaking up. His death was equally tragic. Failing to make support payments of $20 a week for his son and daughter following his divorce, he was jailed by a judge who found him in contempt of court. After three days of forced withdrawal, he began beating his head against the cell bars and fell into a coma. He died a few days later on July 17, 1951, 6 months before his 30th birthday :(

a tragically short life of trouble for a boy with a broken heart. here go Harry's finest shellac sides for the Gold Star label, recorded betwixt 1946 - 49. included as a bonus is the aforementioned 'Jole Blond'. 320 tanx to brother Ambrose Bierce of We Love Music fame for the blistering bits & booklet. r.i.p. Harry Choates